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House of Anansi Press

Cover: CBC Massey Lectures. Universal: Renewing Human Rights in a Fractured World by Alex Neve. The entire cover is framed in a white box according to the CBC Massey Lectures series look. Within the frame is an abstract illustration of several faces created from a collage of multicoloured fragments. The author's name and the title are set in the lower half of the cover against this background.

Cover: CBC Massey Lectures. Universal: Renewing Human Rights in a Fractured World by Alex Neve. The entire cover is framed in a white box according to the CBC Massey Lectures series look. Within the frame is an abstract illustration of several faces created from a collage of multicoloured fragments. The author's name and the title are set in the lower half of the cover against this background.

House of Anansi Press

Universal

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Cover: A Daughter's Place by Martha Bátiz. Artwork of two young women in seventeenth-century clothing. One leans on a window ledge, resting her chin on her hand and smiling, while the other peeks out from behind a curtain, holding a cloth to her face. The title and author’s name appear in large, white brush script.

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Cover: Inheritance, a novel, by Jane Park. A silver eunjangdo (Korean ornamental knife in a sheath) with a blue tassel and a yellow crysanthemum over a background illustration of a prairie grassland. The title Inheritance is set in the top third of the cover and the author's name at the bottom.

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Cover: Planet Earth: Stories by Nicholas Ruddock.
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Cover: The Wren by A. F. Moritz. An illustration of a wren perches on a branch, leaning forward and looking upward, over a beige background. The text appears in a serif font, with the title in a medium brown and the author's name in black.

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Cover: An Ordinary Violence, a novel by Adriana Chartrand. A black-and-white image of a rabbit against a black background spans the cover diagonally. The rabbit appears from the side with its eyes open. Its legs are bunched under its body, and its ears are laid flat against its back, with its nose pointed into the upper left corner. Red blood droplets spatter the cover.

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Cover: The Griffin Poetry Prize Anthology 2023: A Selection of the Shortlist. Robyn Creswell / Iman Mersal / Ada Limón / Susan Musgrave / Roger Reeves / Ocean Vuong. Edited by Gregory Scofield. In the centre of the cover is an abstract art piece in black, white, red, and blue.

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Cover: In Too Deep: When Canadian Punks Took Over the World, by Matt Bobkin and Adam Feibel. The cover has a red background with white and black text. It features a grainy black photograph of an unidentified guitarist jumping in the air in front of a microphone stand.

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Cover: The Griffin Poetry Prize Anthology 2024: A Selection of the Shortlist. Amelia M. Glasser / Yuliya Ilchuk / Halyna Kruk / Jorie Graham / Ishion Hutinson / Ann Lauterbach / George McWhirter / Homero Aridjis. Edited by Albert F. Moritz. In the centre of the cover is a black and white image of a lush forrest.

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Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.

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On Wholeness: Anishinaabe Pathways to Embodiment and Collective Liberation by Quill Christie-Peters. The cover features abstract, colourful artwork against a brown background. Organic shapes, some humanlike, and swirling lines reminiscent of waterways and galaxies flow out of a dark hole with red blood dripping from its bottom edge. The hole is flanked by two bears and two thunderbirds on either side.

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Cover: CBC Massey Lectures, The Age of Insecurity: On the Collapse of Our Economic, Emotional, and Ecological Well-being by Astra Taylor. A white arrow points downward, framed by red and black geometric shapes.

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Cover: Midway, poems by Kayla Czaga. Most of the cover is taken up by the sky at dusk. The bottom edge of a steep hill leads into a still body of water. Near the shoreline is a lit-up Ferris wheel surrounded by a few RVs and strings of colourful lights.

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Cover: Definitely Thriving, a novel, by Kerry Clare. An illustration of an upside-down green clawfoot bathtub full of bubbles is at the top of the frame, with a multicoloured stack of books at each end of the tub. A woman with light skin tone and dark hair in a messy top-knot reclines in the tub, reading. The title and author’s name are in dark blue brushstroke font set slanted on a yellow background with a few scattered open books and bubbles falling to the bottom of the frame.

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Cover: Bury the Lead: a Quill and Packet mystery by Kate Hilton and Elizabeth Renzetti. The cover illustration shows a woman with dark hair and stark features peeking out from behind a red curtain, as if looking out from backstage. There is a blurb at the top which reads, “A whodunit that had me turning pages as fast as I could … an absolute delight!” —Marissa Stapley, New York Times bestselling author of Lucky

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The 2025 Massey Lectures delivered by human rights activist and former secretary general of Amnesty International Canada Alex Neve.
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