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House of Anansi Press

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House of Anansi Press

French Exit

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House of Anansi Press

The Librarianist

Cover: Bury the Lead: a Quill and Packet mystery by Kate Hilton and Elizabeth Renzetti. The cover illustration shows a woman with dark hair and stark features peeking out from behind a red curtain, as if looking out from backstage. There is a blurb at the top which reads, “A whodunit that had me turning pages as fast as I could … an absolute delight!” —Marissa Stapley, New York Times bestselling author of Lucky

House of Anansi Press

Bury the Lead

House of Anansi Press

A Short History of Progress

Cover: Everybelly by Thao Lam. Maddie, a child with medium skin tone, a floral long-sleeve swim top, blue swim cap and goggles, swims underwater. Air bubbles float up from her mouth to the surface. The arms and legs of a smaller child with dark skin tone in an inflatable tubeare visible on the top right edge of the page. Swimming next to the small child is the torso of a woman with dark skin tone and a yellow floral one piece swimsuit is visible.

House of Anansi Press

Everybelly

House of Anansi Press

Seven Fallen Feathers

A photograph shows a close-up of a woman’s face. We see the bottom right corner of her face showing the side of her mouth, her cheek, and a part of her nose. She has light skin tone and short, curly, dark hair. She wears a pink lip colour and blush. Around her neck is a short, yellow pearl necklace and she is wearing a fine-knit, teal sweater. Text: Marie-Renée Lavoie. Autopsy of a Boring Wife. “True to life and wildly entertaining.” – Huffington Post.

House of Anansi Press

Autopsy of a Boring Wife

Cover: Dangerous Memory, Coming of Age in the Decade of Greed by Charlie Angus, author of the Trillium Award finalist Cobalt. Title appears in black, bold letters on two white bands against a black and turquoise background. Below is a silhouette of a crowd of activists holding up a megaphone and placards protesting nuclear weapons.

House of Anansi Press

Dangerous Memory

A grassy ridge looks out over a series of tree-covered hills and mountains. A person stands on the ridge looking out over the edge. They wear a heavy jacket and pants. Text: Ridgerunner. Gil Adamson. Award-winning author of The Outlander. Scotiabank Giller Prize Finalist. WritersÕ Trust of Canada Winner. WritersÕ Trust Fiction Prize. ÒA brilliant literary achievementÉ I loved every page.Ó Scotiabank Giller Prize Winner Michael Redhill.

House of Anansi Press

Ridgerunner

It is snowing on a busy city street. Shops line the street with single story apartments above them. The title of the book is shown as a shop’s sign. People walk along the sidewalk in winter clothes. Cars and trucks drive on the snowy road. The author and illustrator’s names are shown on the sides of trucks. Text: My Winter City. Words by James Gladstone. Pictures by Gary Clement.

House of Anansi Press

My Winter City

Cover: Temporary Palaces, a novel, by Jeff Miller. Photograph of an abandoned two-storey house sitting on a vacant lot. The ground floor windows are covered by boards, which have been spraypainted with graffiti, while the upper floor windows have been smashed out. The title and author’s name appear in large, black letters inside a white frame around the photograph. The words “A Novel” appear beside the title in large, pink letters.

House of Anansi Press

Temporary Palaces

House of Anansi Press

The Book of Birds

(1)

House of Anansi Press

Letters to Kafka

House of Anansi Press

These Festive Nights

House of Anansi Press

Sidewalk Flowers

Cover: An Ordinary Violence, a novel by Adriana Chartrand. A black-and-white image of a rabbit against a black background spans the cover diagonally. The rabbit appears from the side with its eyes open. Its legs are bunched under its body, and its ears are laid flat against its back, with its nose pointed into the upper left corner. Red blood droplets spatter the cover.

House of Anansi Press

An Ordinary Violence

(1)

House of Anansi Press

The Sisters Brothers

This image is a series of scenes. The scene above is a yellow photograph of a strip mall and a stoplight. Signs read, ÒDonuts, Muffins, CakesÓ and ÒGrocery StoreÓ. Two sections, one red and one yellow, with black polka dots, show the title. The scene below is a black and green image of the Toronto skyline on a red background. Text: Frying Plantain. Zalika Reid-Benta. Scotiabank Giller Prize Longlist. ÒAn unforgettable debut.Ó Ð Paul Beaty, Booker Prize-winning author of The Sellout.

House of Anansi Press

Frying Plantain

House of Anansi Press

Kamouraska

House of Anansi Press

When Stella was Very, Very Small

House of Anansi Press

February

Cover: Interregnum: Inside the Gruelling and Glamorous Two-Year Battle to become the Next King of Chess by Jordan Himelfarb. Chess pieces on a green checkered board against a light background and two illustrated hands reaching toward the pieces. The title is set in the top third of the cover and the author’s name at the bottom.

House of Anansi Press

Interregnum

House of Anansi Press

The Rayburn Affair

Cover: CBC Massey Lectures, The Age of Insecurity: On the Collapse of Our Economic, Emotional, and Ecological Well-being by Astra Taylor. A white arrow points downward, framed by red and black geometric shapes.

House of Anansi Press

The Age of Insecurity

House of Anansi Press

Don't

Cover: In Too Deep: When Canadian Punks Took Over the World, by Matt Bobkin and Adam Feibel. The cover has a red background with white and black text. It features a grainy black photograph of an unidentified guitarist jumping in the air in front of a microphone stand.

House of Anansi Press

In Too Deep

House of Anansi Press

Noopiming

Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.

House of Anansi Press

Wellwater

House of Anansi Press

Big Lonely Doug

House of Anansi Press

The Burrowing Owls of the Prairie Grasslands

Cover: House of Anansi presents Xanax Cowboy, poems, written and directed by Hannah Green. The cover is yellow, monochrome. The title text is large and black, and the font appears as though stamped with ink.

House of Anansi Press

Xanax Cowboy

(1)

House of Anansi Press

Cockroach

House of Anansi Press

Atonement

This image is abstract. Pink, red, blue, and green shapes form peaks and valleys. In each shape are markings that resemble flower petals in varies colours. Text: Celestial Bodies. Jokha Alharthi. The Man Booker International Prize 2019.

House of Anansi Press

Celestial Bodies

House of Anansi Press

They Say Blue

House of Anansi Press

Endings

Cover: Chrysalis: Stories by Anuja Varghese. The title is centred with the author's name below it. A faint paisley pattern fills the black background. The image is an 18th C painting of a thin reddish branch with heart-shaped leaves and a pale peach flower and two buds. In the bottom left is a pinkish-brown Antheraea polyphemus moth with a brown thorax and two large black spots ringed in white on the lower wings, and two smaller black and white spots on both the upper and lower wings.

House of Anansi Press

Chrysalis

Cover: A Love Affair with the Unknown: Leaning into the Uncertainty of Modern Life by Gill Deacon. A painting by the author of a woman in a black bathing suit jumping off a green cliff into the water below against a cloudy sky. The title is stacked over this background with the author's name below it.

House of Anansi Press

A Love Affair with the Unknown

Cover: Her First Palestinian and Other Stories by Saeed Teebi. 'Intelligent, original and bursting with vitality' - Ayelet Tsabari, Author of The Art of Leaving. A soft yellow background with an small orange, unpeeled with the peel spiraling to its right.

House of Anansi Press

Her First Palestinian

Cover: Boobies by Nancy Vo. A Blue-footed Booby stands with its wings folded behind its back. It has a white body with black wings and a black face. Its legs and webbed feet are blue. The bird wears a green and orange hat with a wide brim. The title “Boobies” is written across the bird so that the two o’s are placed on its chest where breasts would be.

House of Anansi Press

Boobies

House of Anansi Press

The Truth About Stories

A woman with light skin tone stands in a field of tall, dry grass. The sky is blue behind her. Her hands are bound in front of her with white fabric. She holds a piece of driftwood to cover her face. One eye is visible through a circular hole in the wood. Feathers stick out of a cracked section toward the top of the driftwood. Text: NDN Coping Mechanisms. Notes from the Field. Billy-Ray Belcourt. Winner of the Griffin Poetry Prize.

House of Anansi Press

NDN Coping Mechanisms

Cover: Lantern, poems by Sanna Wani. Above a cream-coloured background, a forest green border is stamped. Inside the border are three ginko leaves stamped in various directions, as though falling. The text appears in cursive lettering.

House of Anansi Press

Lantern

House of Anansi Press

History’s People

Cover: My Street Remembers. Written by Karen Krossing and illustrated by Cathie Jamieson. Paintings were inspired by illustrator’s Anishinaabe and Haudenosaunee background, showing organic shapes in thick outlines. A turtle crawls along the sand, leaving footprints behind. The sky is blue. Grass grows above, and under it there is dark earth with a long, curving black line bisected by shorter vertical lines. Pictured on the left side of the page is half of a medicine wheel ringed with a braided grass ring.

House of Anansi Press

My Street Remembers

House of Anansi Press

De Niro's Game

Cover: Death Interrupted: How Modern Medicine is Complicating the Way We Die by Blair Bigham, MD. A small black bar in the upper-left corner of the cover reads The Walrus, to indicate this book is part of a series of books published in partnership with The Walrus magazine. Centred against the off-white background is the cover’s only image: a turquoise stethoscope bent into the loose shape of the letter P. The stethoscope’s chest piece acts as the top of the letter P in the word "interrupted."

House of Anansi Press

Death Interrupted

Cover: Valid, Dystopian Autofiction, by Chris Bergeron, translated by Natalia Hero. Hot-pink type against a black background fills the entire cover.

House of Anansi Press

Valid

House of Anansi Press

The Lost Spells

House of Anansi Press

Busy, Busy Birds

House of Anansi Press

Blood

House of Anansi Press

Augustino and the Choir of Destruction

House of Anansi Press

The Syrian Ladies Benevolent Society

House of Anansi Press

Winter

All That Grows. Words and pictures by Jack Wong. A close-up shows a boy’s face as he stares wide-eyed at four tiny green plants that have sprouted in a bed of soil. The boy has medium skin tone and brown eyes. The title is hand-lettered in green, and the author’s name is in pink.

House of Anansi Press

All That Grows

Cover: However Far Away by Rajinderpal S. Pal. A face and shoulders in purple with features obscured in shadow. The figure is wearing orange over-the-ear headphones and a green shirt. The words A Novel appear in white type across the green shirt. Text: A beautiful debut novel about the calamitous aftereffects of decisions made and unmade, secrets kept and spilled. Omar El Akkad.

House of Anansi Press

However Far Away

House of Anansi Press

Passing Ceremony

House of Anansi Press

When He Was Free and Young and He Used to Wear Silks

Cover: Everything Is Fine Here by Iryn Tushabe. Two black outlines of papyrus swamp plants appear in front of a green background. "A Novel" appears in smaller yellow type.

House of Anansi Press

Everything Is Fine Here

House of Anansi Press

Young Cat, Old Cat

House of Anansi Press

Toronto in 100 Beers

A graphic pattern is in shades of blue and green shapes with grey lines in between. Some grey lines cross over and through the letters of the title and the authorÕs name. Text: Dual Citizens. Alix Ohlin. Scotiabank Giller Prize Finalist. Author of Inside. ÒTouchingÉ Dual Citizens has a lot in common with Zadie SmithÕs Swing Time and Claire MessudÕs The Burning Girl.ÓÑWall Street Journal.

House of Anansi Press

Dual Citizens

House of Anansi Press

Dodge City

House of Anansi Press

The Lost Words

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House of Anansi Press

Northwest Passage

House of Anansi Press

Life Is About Losing Everything

House of Anansi Press

Ninan

House of Anansi Press

Arrival

House of Anansi Press

Manual for Draft-Age Immigrants to Canada

House of Anansi Press

Up in the Tree

House of Anansi Press

Carnival

A blue balloon floats against a white background. Underneath the balloon, at the bottom of the cover, is a silver thumb tack. Text: Payback. Debt and the Shadow Side of Wealth. Margaret Atwood. CBC Massey Lectures.

House of Anansi Press

Payback

House of Anansi Press

The Big Why

House of Anansi Press

Democracy on Trial

House of Anansi Press

Mermaids and Ikons

Livre French Exit - Patrick Dewitt (Livre d'occasion)

Librairie-en-ligne.com

French Exit (Patrick Dewitt)

House of Anansi Press

Tokyo Digs a Garden

House of Anansi Press

river woman

Cover: John Candy: A Life in Comedy, by Paul Myers. Foreword by Dan Aykroyd. A black and white photograph of the comedian and actor John Candy, shown from the chest up, wearing a tuxedo, and looking directly into the camera, with just the hint of a smile. The main title and author’s name appear in large, pink block letters. The sub-title appears in a white, handwritten typeface. The foreword attribution appears in the same block letters as the title, but smaller and in white.

House of Anansi Press

John Candy

House of Anansi Press

West Coast Wild ABC

House of Anansi Press

Back in the Land of the Living

House of Anansi Press

No Pain Like This Body

House of Anansi Press

The Withdrawal Method

House of Anansi Press

Dog Park

House of Anansi Press

Mustafa

House of Anansi Press

The Break

House of Anansi Press

This Accident of Being Lost

House of Anansi Press

Layaway Child

Cover: A Horse at the Window by Spencer Gordon. A painting of a person with fire coming out of their head. They are wearing a black suit jacket. and holding a flaming flower.

House of Anansi Press

A Horse at the Window

House of Anansi Press

Basic Black with Pearls

House of Anansi Press

Out of the Way! Out of the Way!

Finalist for the Scotiabank Giller Prize and an international bestseller, Patrick deWitt’s brilliant and darkly comic novel is now a major motion picture starring Michelle Pfeiffer.
Frances Price — tart widow, possessive mother, and Upper East Side force of nature — is in dire straits, beset by scandal and impending bankruptcy. Her adult s

House of Anansi Press

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