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"The Oblivion does the '80s better than the '80s did." — DNA MAGAZINE "Here's one for those who like their synth-pop dark-edged, queer, and existential, with a side of cosmic fancy and cinematic nous." — THE NEEDLE DROP "The Oblivion runs on analogue synth lines, driving beats and hook-led songwriting, blending Depeche Mode, Kate Bush and
